"THE BIRDS AND TREES OF NORTH AMERICA" LIMITED EDITION
Field Notes 64th Quarterly Limited Edition for fall, 2024 is "The Birds and Trees of North America" Edition, featuring the artwork of Rex Brasher (1869–1960).
Rex Brasher’s artistic talent, love of nature, technical expertise, and persistence offer an inspiring story that should be better known by anyone with an interest in birds, nature, or art. From a young age, Brasher committed to visiting all of America’s bird species in their natural habitats. He spent a lifetime traveling, collecting notes and drawings, writing personal, insightful descriptions, and painting and re-painting birds.
Rex Brasher Drawing by Jean Albemarle 1933
By the late 1920s, Brasher — nearly 60 years old — was finally satisfied with his paintings, and set out to publish a collection of his work. Unhappy with color printing options at the time, Brasher had the paintings reproduced in black-and white, then hand-colored all 87,000 pages of the nearly 100 sets of twelve volumes of The Birds and Trees of North America, which he completed in 1932.
Field Notes have carefully reproduced six of Brasher's colourful illustrations on two 3-Packs of Field Notes Ruled Memo Books. Covers are a lovely felt-textured 100#C Mohawk Via "Pure White," bound by three stainless steel staples. The bodies are 60#T Domtar Lynx Opaque Ultra, ruled with pale gray lines.
"Pack A" features:
Rocky Mountain and Mexican Screech Owls (Tulip tree)
1915, Volume 6, Plate 373e 373f
Blue Jay (Swamp White Oak)
1911, Volume 8, Plate 477
Brewer Sparrow (Cassie)
1912, Volume 9, Plate 562
FNC64 BTNA Pack B
"Pack B" features:
Pine Grosbeak (Oldfield Pine)
1911, Volume 9, Plate 515
Baltimore Oriole (Crabapple)
1912, Volume 8, Plate 507
Sulphurbelly Flycatcher (Ironwood)
1911, Volume 7, Plate 451
“Pack C” features:
Painted Redstart (Birchleaf Mountain Mahogany)
1912, Volume 11, Plate 688
Cardinal
1912, Volume 8, Plate 507
Redshoulder Hawk
1912, Volume 10, Plate 593
Sales of this edition will help the Rex Brasher Association open Brasher’s Kent, Connecticut property to the public as a museum and nature area dedicated to the artist’s life and work.
SPECIFICATIONS:
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01. Images courtesy of Rex Brasher Association, Inc. ©2024, rexbrasher.org
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02. Proudly printed by the good people of Classic Color, Broadview, Ill.
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03. Cover: Mohawk Via Felt 100#C “Pure White,” with a 4-color application of process-color soy-based inks.
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04. Innards: Domtar Lynx Opaque Ultra 60#T “White.”
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05. Cover and innards printed on a Komori Lithrone G40" 6-color UV printing press.
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06. Bound by a Muller Martini Presto II saddle stitcher with appreciation to Samuel Slocum, George W. McGill, and William J. Brown, the “Founding Fathers of the Staple.”
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07. Corners precisely rounded to a 3/8" (9.5mm) radius with a Challenge round-corner machine.
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08. Ruled lines: 1/4" (6.4mm).
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09. Memo book dimensions are 3-1/2" × 5-1/2" (89mm × 140mm).
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10. FIELD NOTES uses only the Futura typeface family (Paul Renner, 1927) in its materials.
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11. All FIELD NOTES memo books are printed and manufactured in the U.S.A.
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12. Limited Edition of 18,000 Pack A and 18,000 Pack B.
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13. Pack A UPC: 850032279314, Pack B UPC: 850032279321
